And his signature-those big, structural shoulders-contrasts well with the slouchy satin fabric of the matching joggers. His design accentuates a matching set of lace bra and panties while building entirely separate (and gorgeous) pieces around it. Bishme: Maybe this is the week the judges finally give Bishme the applause he deserves.Her skirt is lovely-I appreciate the asymmetrical high-low drape-but it doesn’t highlight any particular undergarment, and the lace bralette gives off the air of an afterthought. Korto: Model DD could make a plastic grocery bag look like Gucci, but it’s nevertheless obvious this is one of Korto’s weaker looks.The outfit as a whole is subversive but wearable, especially sans jockstrap. I love the subtle inventiveness of his men’s corset and kilt it’s not the first time I’ve seen a gender-neutral take on a skirt, but neither is it a carbon copy of other looks popularized by designers like Thom Browne. Prajje: I wouldn’t say this is Prajje’s most couture ensemble, but personally, I couldn’t care less.Now, for a few notes on the underwear parade: With Nina unavailable for this week’s runway show, episode 7 introduces us to two guest judges: designer Sergio Hudson and model Paulina Porizkova. As Prajje and Anna strip down to their own undergarments-in a literally cheeky display of solidarity, perhaps-the other designers shuttle their models to the makeup studio and hair salon before frenzied last looks. By the time the alarms start ringing on runway day, Fabio has confided to Kara Saun that he doesn’t “even want to finish” his look, but the black-and-white photographs of his family on his hotel vanity remind him to keep going. I like to see boy naked.”Ī handful of our Nine That Remain end up reworking their looks, including Prajje, Korto, and Fabio. (I’ll take this opportunity to reiterate how much I love her.) Finally, model Mimi gets her own zinger in as she surveys her surroundings, particularly the multiple shirtless men clad in corsets and boxer briefs: “I like this challenge. Then there’s Anna, who nixes her motherhood-inspired “bleeding nipple” top in favor of a tulle cage headpiece. Meanwhile, Prajje is experimenting with sizing a jockstrap-proper fodder for a hilarious fitting with his model, during which Prajje laments there’s no measurements for “crotch and nutsack” on his model card. Inspired by the women of Black Wall Street, devastated by the Tulsa race massacre in 1921, Kara Saun’s design has substance as well as form, and it’s clear from her earliest draping efforts that she has something special on her hands. Maybe it’s the mermaid hair, but something about Kara Saun’s energy, in particular, is untouchable she’s completely in her element as her Roaring Twenties sheer gown with silk wool underpants takes shape. Still, others are riding a wave of confidence. When Christian argues the designer’s work-in-progress top is too “Doris Day at the beach,” the wilted look on Fabio’s face is so crushing I want to reach through the screen and give him a hug. Fabio, in particular, has struggled to beat back accusations that his looks are too “safe,” and so his big swings in episode 7 have an air of unsettled desperation. The main source of tension fueling tonight’s challenge is not inter-designer drama, but the self-doubt some particularly barbed comments from the judges has wrought. If you’re surprised by the seeming impossibility of such a task, well-sorry, but what show have you been watching? They must be beautiful but not coquettish, boundary-breaking but not vulgar, expensive buuuut capable of assembly within 24 hours with less than $450 in fabric. The catch-there’s always a catch-is that these knickers mustn’t give off the effect of lingerie. It’s an intriguing prompt for the remaining designers, who must spend this episode’s one-day time limit putting together a couture look featuring undergarments as the main attraction. This week, Project Runway is all in on the no-pants trend.
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